About

I’m an independent curator and art strategist, specialising in art and blockchain. I consult museums, cultural organisations and companies on creative collaborations, art & culture-related events and development within the fields of art and culture related to blockchain and web3. I’ve been working directly with the art and blockchain space since 2018, founding the art research department for blockchain foundation Department of Decentralization, amongst other things.

I have a strong interest in the sustainability of the art world and the cultural workforce through nascent technologies. I’ve written two reports on the intersection of blockchain and art - There is No Such Thing as Blockchain Art (2019) and Wanderer Above a Sea of FUD: Cultural Workforce, Crypto-anarchism, Intellectual Rights, and Blockchain-based Funding Models for Culture and Arts (2021). The first report has been referred to as one of “two key publications exploring [blockchain’s possibilities and limitations] across varied cultural domains.“

During my career, I’ve worked with a wide variety of cultural and arts organisations and museums, such as the Bundeskunsthalle, Kristianstads konsthall, MoCDA - Museum of Contemporary Digital Art, Berliner Volksbank and artists such as Hito Steyerl, Jakob Kudsk Steensen, Sebastian Schmieg, and Stine Deja.

I’ve been on the International Selection Committee for the Lumen Prize since 2021, advising them on the longlist for moving image and immersive environment.

Do you have any questions or ideas, want to collaborate, or just say hi? Email me.